Dub Qalandar - put this in your diary

Two cultures from ten thousand miles apart meet up in Birmingham, which just happens to be EXACTLY midway between. That's grounds for celebration.

Birmingham sits halfway between the centres of two of its most compelling and now deeply engrained cultures. Go five thousand miles one way, and you fetch up in the Caribbean. Go the same distance the other way? You're in Pakistan. 

Since the Second World War, cultures from both regions and elsewhere have been bumping up against each other, in inner city Birmingham suburbs... for seventy years. And now, beats and grooves are coming together, in a very deliberate, conscious way. 

This weekend Birmingham sees a Rugby World Cup games, thousands exploring a revamped New Street station and its shopping mall, and Birmingham Weekender, this year's Artsfest replacement. Add in relentless roadworks, and the city will be... challenging. But find your way to Symphony Hall on Sunday 27th, and you're in for a free but very valuable treat: Dub Qalandar. It's the headline show for all of the weekend. Conscious Dub grooves, and sacred Sufi songs coming together in Birmingham. Well, it's what we do.

Or, rather, it's what Mukhtar Dar and Simon Duggal do.

Layla, Surinder and Sharnita: Shaanti is back all month long.

Eastern Electronic logo/artwork    

A few days ago, I heard a hugely enjoyable radio interview. The guest was old and seriously articulate, and he reeled out appealing chat and interesting folk-oriented music. I wanted to hear more - quite unusual for me with today's risk-averse radio. It turns out I'd heard Seth Lakeman's dad, telling stories and playing songs. Ah, that explains it. 

A gentle reminder of what radio can still do: make you sit up, smile, and enjoy something new and different. Sadly, that's not what we generally get. And that leads me to the musicians in today's post, part of Shaanti Eastern Electronic Festival, running in Birmingham this month. One is starting out, the other is hugely involved in projects around the world. Both are at the top of their game, and both are from the West Midlands. Boy, are they ever inspiring. Boy, do they ever deserve airplay.... and do they get it? 

I'll give you one guess.

Old Punks don't die. They go big in Japan.

Start a band. You'll be amazed what happens. 70s punk veterans Neon Hearts are.

 Neon Hearts 2014 and 1977

35 years ago, Punk was front, centre and huge. Bands who couldn't play, snotty and sneering, drenched in audience gob.

Of course it was choreographed, but it was a great bandwagon for some. The Police, Squeeze, Bob Geldof and even Tom Petty used Punk well to get themselves noticed.

Down the pecking order, Punk really mattered. Local hopefuls? Dansette Damage, Suburban Studs, Spizz, the Killjoys, Dangerous Girls, the Prefects, and more. Most faded away, of course. But this was real and valid to those who were there. The recordings survive, but now they're out of time and context, and there's nothing to hook them to. 

But that lets people pin new meaning to old music. Extraordinary things can happen.

Eight musicians, eight different cultures. Five days to write, rehearse and prepare for one live gig.

A Birmingham story: Culture Shock

The inaugural Culture Shock in 2012

The day after this blog post is published, a clutch of musicians from across Birmingham will meet up for five days of intensive creation and experimentation, culminating in an evening of live music on Saturday 28th September, at St Annes Church, Park Hill in Moseley, Birmingham. 

This is Culture Shock, now in its second year. It’s a free event, supported by a range of institutions, and powered by the adventurous collaborative spirit of the participants - a leap of faith in many ways.

Keyboardist Pete Nickless holds this project together, working from a multi-purpose music studio at the seriously industrial top end of Digbeth, Birmingham. It bristles with instruments, including – oh joy – a Hammond organ complete with Leslie cabinet. And Pete's boundless enthusiasm. It's one hell of a brave project; yet another reason for us to have such fierce pride in our musicians.

We do it because we love it. All you have to do is find it

Great, unusual music, there to be explored and enjoyed. Free. Bring your curiosity and a sense of adventure.

Zirak Hamad plays the Daff hand-drum. Amazingly.

I first met Zirak Hamad at one of Paul Murphy’s Songwriters Café sessions. Zirak is a lovely guy, irrepressibly enthusiastic, and a terrific musician. He has a hair-raising background, which makes his current situation all the more remarkable. Zirak is largely responsible for a fascinating new musical development in Balsall Heath, an inner city part of Birmingham: Musikstan, which, every other Thursday, gathers musicians to play together from, literally, around the world. It runs on love and goodwill. 

Entry is free, but you really should make a contribution when they pass the hat around; there are musicians' expenses to pay and the event has running costs to cover. Zirak’s music is great – there’s a Musikstan clip or two to enjoy after the jump. And while it’s a worldwide music thing, chances are you’ll catch some delicious local musical collaborations, as some of Birmingham's finest have started to drop by.


Zirak’s Musikstan gigs are by no means the only music gatherings in town that run on similar lines. Once a month on Sunday afternoons on Moseley, you can catch stunning musicianship, organised by the magnificent percussionist Joelle Barker at the Dance Workshop. On top of that, the City centre Island Bar hosts the Free Love Club, an all-dayer of a folk-ish bent, for free, on Sundays; Sue Fear’s Moseley’s Muso Monday, also (logically) on Monday nights, works on the same principle, there are regular gatherings of different music stripes at the Tower Of Song; and of course there are many more such events.  If I've missed yours out, I apologise - but please do let me know for future reference. 

Here's Zirak, at Musikstan, tearing it up on the Daff hand-drum. I recorded this in September.


Zirak kicked off Musikstan in March of this year. It’s got a clear and simple goal.

Zirak Hamad: Musikstan is about sharing and bringing people together. The business side of music is important, but having music just for music’s sake is important too.  A friend of mine, Andrew Bland, invited us to play at the Old Print Works, and accompanied us on piano.  And it gave me an idea to do something regular. So that’s how it started. Musikstan is based on bringing different musicians together, from different backgrounds and different styles. People are able to ask questions about the music, about the backgrounds and the styles of each type of music. 

In the six months since you started, how has the network of musicians developed, with different people coming in to play?

To start, because I’m a musician, I can bring in many musicians that I know. But then word got out – word of mouth – about Musikstan. Session by session, it developed; musicians contacted me to come and play. We keep it very informal. Musicians are invited to join us, and we leave time for the audience to ask them questions at the end of their set.  We aim to have one musician from Birmingham, and one from outside of the area, because we want musicians to meet and exchange ideas and music, and play together. 

What about your own music?

I have a Kurdish band, and I also have a band called Village Well, which has an Indian tabla player, and a Caribbean steel pan player. I also play in a gypsy band with an Albanian and a Romanian musician…. 

Tell me about your band Village Well….? 

We got the idea in 2010, with a Khora player, me on violin, and Indian Tabla from Pritham Singh. Unfortunately, the Khora player, who lives in London, could not stay with the band, so we added Norman Stewart on Steel Pan instead. This brings all kinds of people together.  Some Kurdish people might come to see me, and Indian people because of Pritham… and Caribbean people because of Norman. So we really are bringing people together through music. 

If you went back to the old country now, after your years in the UK, what would happen? How would people react to you?

Kurdistan has changed a lot since Saddam Hussein’s regime. Kurdish people are more open-minded now. When I went back, I was made very welcome. When I left Kurdistan, I had 24 hours. I found out that a friend of mine – who was working with the Intelligence services under cover – that the next day, they were coming to arrest me, and god knows what would have happened to me afterwards.

So it was: don’t go to work tomorrow, and sort yourself out to get away, because everything was going to end for me. I left Kurdistan straight away. After ten o’clock, they went to my house, and my family said they didn’t know where I was. And that was the truth – they didn’t know where I was, or how I had left. I went to Iran, and then to Turkey, and then  in the end I came to England.

Are your family …OK?

They weren’t. They arrested them and tried to force them to tell where I was. But they didn’t know, because I didn’t tell them what I was doing. So the secret police accepted this - in the end. Now, after Saddam ‘s regime, they’re all right. We have our own government; people are more liberal, and more free…

Did you come to the UK and claim asylum? 

Yes, they gave me asylum. I had to pay a smuggler to get me to the UK. My family supported me, though friends, not directly. We couldn’t use the phone or anything like that….  

So this must have cost your family a fortune in the end.

About 8000 dollars. That’s a lot of money in Kurdistan. 

It’s an extraordinary story, but Zirak might well say that everyone is extraordinary. Now settled in Birmingham, Zirak runs school workshops in middle eastern dance and  music. In 2003, he organised a Kurdish band: Daholl Kurdish Ensemble, as Birmingham didn't have any Kurdish musicians at the time. And his dream is to see Muzikstan become a world music festival in the UK. 

So now he’s  back doing what he loves, which is making music, and working with other musicians. And, as always, this being a Birmingham thing, there’s a lot of collaboration. Paul Murphy has played at Musikstan, as has Joelle Barker, and there’s some mighty collaborations planned for the future. Live, experimental cross-cultural collaborations in an intimate acoustic environment: it’s not something you can bottle. You have to experience it. . Long may it continue

Links: 

Muso Mondays at the Station, King's Heath, Birmingham

Tower Of Song -

Songwriters Café