Showing posts with label violin. Show all posts
Showing posts with label violin. Show all posts

Thursday, 18 March 2021

A Life In Music: Ross Grant. Around The World In 80 Plays, and lots, lots more

Taking global collaboration to a new level

Ross Grant is a busy man. A very busy man. I'm going to touch on some of this activities in this post, and you can hear more from the man himself at his Lives in Music Episode, released this week. Or just stay here, and you'll find him towards the end of this blog post.  

Let me start with his fantastic current project, Around The World In 80 Plays. There's a link to the YouTube channel below.   

It's a simple idea, but it's also, naturally, a huge amount of work. It also calls for a massive address book, which Ross certainly has. Most of us will have seen those multi-screen YouTube videos where musicians collaborate together at distance. This was a central feature of the Lives in Music episode with Richard March, who played on and produced most of the Tonight Matthew videos that gave a lot of people much joy last year in lockdown. 

But that series ran to 11 videos in the end. Ross is putting together 80 such collaborations. Musicians worldwide have joined in with him, from brilliant local and European folk players to Ugandan and Malian traditional players and more. The guest player takes central stage, and Ross chimes in with multiple tracks of backing, on fiddle, guitar and lord knows what else. 

A contacts list to end all contacts lists

To do this sort of thing, you need contacts, and Ross has them. His address book has grown, first through his life-long involvement with the Bromyard Folk Festival, and also through activities like working with Sistema England, which has taken its inspiration from the spectacular original El Sistema in Venezuela, as have hundreds of music organisations worldwide. Given this work, mainly in the Classical field, it's not surprising his address book has grown.  

But that's not the only area where Ross has people to call on. As a boy, Ross benefited from his dad's folk contacts (he was good mates with Ian Campbell), and of course work with the long-established Bromyard Folk Festival, where Ross is now a director.


Planning a major Folk Festival in Lockdown

This year, after a barren lockdown-flattened 2020, the Bromyard Folk Festival returns. It's not necessarily going to be easy, as despite the September 2021 date of 9-12 September, there's still going to be the need for Social Distancing. Quite the challenge. The previous weekend, Moseley Folk in Birmingham will have the same dilemna. At time of writing, Ross's group 
Inlay will play at Moseley on Sunday.

There's more, lots more. But I suggest you give the podcast episode a spin. It was a terrific conversation, and a delight to put together.

Links

Around The World In 80 plays on YouTube
Around the World in 80 Plays Tip Jar - show your appreciation!
Music Group: Ross plays in Inlay 
Going since 1968, the Bromyard Folk Festival
Classical Music project 
Sistema England

Ross Grant on Lives in Music 

 

The Lives in Music Podcast series   

I've been doing these for about two years now. These are interviews with local 
musicians and music enablers, looking at how music has shaped them throughout 
their lives. Series 3 also looks hard at how lockdown has had an impact. 

There are some lovely stories. To see who's in the list of artists, here's a link to 
review every episode.
One further footnote: the intro and outro guitar flourishes I'm using in this series of Lives in Music podcast come from Vo Fletcher, who is also featured, with Loz Lozwold (aka Kingsley), in a podcast in this series. I asked Vo for a bit of live impro, and this was the result.  

The Radio To Go blog

This blog has been going since 2007. I started it to focus mainly on radio stories, as the industry went through convulsive changes. Those changes aren't over yet, not by a long chalk. I then expanded the range of topics to cover local music, another subject close to my heart. I think it was a Destroyers gig that pulled me in that direction. I've banged out several hundred posts since then, and of course deleted quite a few. But if you're interested in thoughts on the local scene and/or radio futures, by all means visit the full topic index on the Radio To Go blog.
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Friday, 7 February 2020

A Life In Music: Mark Robinson. 40 years at the CBSO

40 Years at the CBSO, the Fiddle in 'Fiddle and Bone', dangerous flirtations with rock ...


I owe a debt of gratitude to a great Birmingham muso, R. John Webb (aka Ryan Webb, late of Rhino and the Ranters), who, when learning that I wanted to find a Classical muso for this series, suggested I talk to Foxy... a pal of his from Moseley, the proudly boho bit of Brum.  

'Foxy who?' I ask.

'Oh, I don't know his real name. But he's Classical' says Ryan.

'That can cover a lot of things. Which orchestra?' say I.

'Oh, the Rattle one' came the reply.

That started my pursuit. In due course we met up in one of Moseley's nicer coffee joints, and talked for hours. Clearly I was being sized up. But in due course, Foxy - Mark Robinson - who will absolutely not tell me why he has that nickname, agreed to be interviewed. 



So now, a detailed and fascinating conversation...


And the result is this podcast episode. You can jump to my podcast host to stream or download here, or you can head down to the bottom of this post to listen now.  

Very precise detail is what Mark goes for.  We covered an enormous range of topics. But as always in this series, if you put forty or fifty years into your craft, then you have the stories and experience.


The conversation gave me a chance to look at the life of a musician in a BIG outfit. Orchestras can run to 90 or more, so touring a band like that is a bit more than assembling a road crew. The logistics must be a nightmare.


The Prince of Wales


The Prince of Wales in Moseley, Birmingham has played a considerable part in this podcast episode. The Prince is a Moseley musicians' watering hole, with a long history of live music, and in whose snug we captured most of the conversation. 


Mark made mention of a benefit which took place in 2005. This was for the legendary Steve Ajao, whose podcast episode is here. I am indebted to Reed Alan, who filmed the benefit performance, and who has kindly allowed me to embed this video clip here.



Lives in Music

The Lives in Music podcasts celebrates people who have spent a lifetime in music. They may be famous; they may be people who have spent their lives working in the background for the love of it. But they all have stories. Listen here:




The intro and outro music in this series comes from the great bass player Mike Hatton, who you can hear interviewed in series 1, here. 'Everything Changes' is included in his excellent 2019 album 'Bassic Salvation'. Follow the album link for more :-)



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Sunday, 14 April 2013

The Wonder Stuff's Erica Nockalls: attitude with violins

A solo album at last, playing in three separate outfits, Nockalls talks rock violin at music school, session work, doing it right, persistence and perseverance...


Birmingham has a School of Music. I've had dealings with them down the years, from when the old BRMB ran classical shows - really, they did - and I presented. That was all some thirty years ago, when the place was resolutely classical. I always felt like a hooligan scruff around them, probably because I was a vulgar commercial radio person trespassing in the groves of academe. 

Things change. I don't know who leaves the Birmingham Conservatoire to build a classical career these days - and by the way, I'd love to know who does -  but I'm constantly delighted and impressed by the range of musicianship the place has spun out into the local scene. I love the folk stuff encouraged by Joe Broughton; a mighty eight Conservatoire graduates have graced the Destroyers. There are many others, of course; I haven't even touched on the jazz guys. A common factor is a sense of adventure, a willingness to up-end apple carts, and blazing musicianship. 

Erica Nockalls is part of this: a terrific fiddle player with a brand new solo album. She tells a story of musicianship, multiple bands, attitude and application.