Showing posts with label Ocean Colour Scene. Show all posts
Showing posts with label Ocean Colour Scene. Show all posts

Tuesday, 25 February 2020

A Life In Music: John Mostyn

Birmingham's Music renaissance man



Photo: Graham Young, Birmingham Live
With some fifty years in the business across a dizzying range of bands and activities, John Mostyn is endlessly interesting. He's done the mega-deals, battled with the music industry at the very top levels, and he's worked just as hard on small local projects which simply deserved some help. 

And he has some incredible stories.

There's a lot to be gleaned from listening to John's experiences. Not that John minds; he's always been happy to share and lend a hand. And there are always, always, new projects, which you might never have considered in a month of Sundays.

This is a companion blog piece to the John Mostyyn Lives in Music Podcast, which you can listen to here. Or just scroll down to the bottom of this page and listen to the embedded file.

Links


Carpe Aqua If you don't know about this, you're missing out.
The Beat (led by the late Ranking Roger)
The English Beat (led by Dave Wakelin)
Fine Young Cannibals wikipedia page

Ocean Colour Scene



Lives in Music


The Lives in Music series celebrates people who have spent a lifetime in music. They may be famous; they may be people who have spent their lives working in the background for the love of it. But they all have stories.



The intro and outro music in this series comes from the great bass player Mike Hatton, who you can hear interviewed in series 1, here. 'Everything Changes' is included in his excellent 2019 album 'Bassic Salvation'. 



Subscribe!

Subscribe to the Podcast through your podcast host to automatically download each episode to your chosen device. These will then land with you first, before everyone else hears about it.

If you would prefer email updates each time a podcast episode (or blog post) is published, you can subscribe to the mailing list. Head here and scroll down to the signup form.


Saturday, 22 February 2020

A Life In Music: Gavin Monaghan a legendary producer

The Wizard in his garden


Gavin Monaghan is a producer who commands massive respect worldwide, but who is just at home working with local bands that he has an affinity with. He loves his work. The people who work with him love his work as well. 

Gavin operates from an unassuming but brilliant studio complex, the third premises that he's named Magic Garden. Music of all shapes and descriptions flows from there out to the world. When I dropped by, Gavin was very calmly allowing his clients to work out and freely deliver something exceptional. It's a brilliant skill. Not all producers have it. 

Among his better-known local clients, you'll find Ocean Colour Scene, Carina Round, Paul Murphy, Editors, Scott Matthews, Robert PlantNizlopi and The Twang. That's one terrific range of talent. Among his newer clients, you'll find Pagans (Shepherds Of Humanity), Paper Buoys, Methods, Cherry LotusThe BlindersHÜDS, and more. 

Above all Gavin focuses on results - it's fascinating to hear how he gets those results, how he got started, and how technology has changed the creative music landscape. Craft skills, hard won and invaluable. 

That patient approach, and the love and nurturing of for new talent from a veteran's perspective chimes with what I want to cover in the Lives in Music series. To listen, you can jump to the podcast site to download and/or stream, or if you like, scroll down to the bottom of this page and stream from the embedded player. 

The story starts, as with many in this series, with a dedicated teacher, when Gavin was very, very young.

Links

Magic Garden facebook page

Lives in Music


The Lives in Music series celebrates people who have spent a lifetime in music. They may be famous; they may be people who have spent their lives working in the background for the love of it. But they all have stories.


Published in Series 2  (series 1 episodes listed here)

1 - Brian Travers of UB40
2 - Ricky Cool
3 - Mark 'Foxy' Robinson of the CBSO
4 - Roy Adams
5 - Gavin Monaghan of Magic Garden studios 
6 - John Mostyn
7 - Stewart Johnson: taking UK Country back across the pond
8 - Dave Pegg of Fairport Convention

9 - Roy Willams (JB's, Little Acre, Weapon of Peace, Robert Plant)

10 - Simon Duggal (Simon & Diamond, Apache Indian, Shania Twain, Desi Beats)

The Podcast



The intro and outro music in this series comes from the great bass player Mike Hatton, who you can hear interviewed in series 1, here. 'Everything Changes' is included in his excellent 2019 album 'Bassic Salvation'.


Subscribe!

Subscribe to the Podcast through your chosen podcast directory to automatically download each episode to your chosen device. These will then land with you first, before everyone else hears about it.

If you would prefer email updates each time a podcast episode (or blog post) is published, you can subscribe to the mailing list. Head here and scroll down to the signup form.


Sunday, 12 May 2013

Revisiting Moseley Shoals live after 17 years: Ocean Colour Scene's Simon Fowler

UPDATE: A revised and expanded version of this post 
is included in the new Radio To Go ebook, Survivors 

What makes a band go large? What makes them last – albeit with the odd hiatus – over twenty years, despite managerial problems and some pretty solid contractual brick walls blocking them from playing and recording?

When you try to tot up those Birmingham bands who went REALLY BIG for a sustained period in the past twenty years of so, you get quite a short list. But right up at the top of that list you’ll find Ocean Colour Scene

Interestingly, they're still going, with much of the original line-up. It's an gripping tale of solid songwriting and playing, battling through obstacles, and coming good. Good luck? I wouldn't say that.. Good judgement? Yup, give them that. Hard work? Without a doubt. Good friends along the way? Yes - they played a big part.

As far as most people were concerned, Ocean Colour Scene - OCS - emerged (and how) in the mid-90s. But in fact they were already a big noise in Brum at the end of the eighties. Then it all went quiet, with individual members forming impressive alliances which stood them in good stead when the time came for their proper breakthrough.