A new music team programmes at Town Hall and Symphony Hall

Before we get to the core of this post... what exactly does the word festival actually mean? 

Artwork courtesy Sound Lounge 21

The ones that get the coverage are full-on affairs featuring tents, endless mud and excess, often with clear intent to relieve you of as much money as possible. But there are also benevolent and idealistic affairs that stretch the imagination, not expressly commercially driven, like Shambala. Then there are the (relatively) sedate non-residential affairs like Moseley Folk or Reggae City. And that’s not counting classical institutions like Three Choirs or Lichfield.

So, a wide range of definitions. But all of them ask you to pay to get in. When you look at free festivals, it’s different rules. Summer freebies covered on this blog (Simmer Down and Ben Drummond’s Sutton Roots festival) are driven differently. Music and doing something good and right go together much more obviously. What the ‘good and right’ might be varies enormously.

That’s what makes this coming weekend’s Sound Lounge 21 Summer Music Festival really rather interesting. It’s not just the music, appetising is it is; it’s also how the thing came together, and why.

2013 Festival Season #2. Simmer Down in Handsworth

A chat with Simmer Down co-ordinator / stage manager and all round go-to person Clare Edwards. 

On Sunday 14^th July, two weeks from today, the fourth Simmer Down party takes place in Handsworth Park, Birmingham. It’s a free festival, and it runs from morning to mid-evening. The event is preented by the Drum Arts Centre, directed by Mukhtar Dar and is co-ordinated and stage-managed by the able and unflappable Clare Edwards. 

Every town needs a Clare Edwards. She swims in shark-infested musicbiz waters, negotiates her way through stifling and complacent bureaucracy, charms officialdom, all this spanning a ridiculously wide musical range of activities, while retaining the respect and affection of her peers. Oh, and did I mention the choirs she sings in and/or manages? Or the major London Classical music activities? Maybe another time...

Five things I learned this year

The Radio To Go 2012 review part 1: You can learn a lot from your blog's figures. 

Clicker is a freebie app in the Apple store

The total pageview count at Radio To Go clicked past 40,000 this week: mainly people checking out the 1EYE / Del Camino post.

I'm pleased. I launched the blog in 2007 to plug my radio consult business. A regular topic was how local radio and local music can do good things for each other. But as radio shrank - four years of systematic merging of local radio into national 'brands' - I found myself writing more and about my other great passion: music. Preferably fresh,  honest and local.

Up to Christmas 2011, blog page views were tiny: less than 9000 in four years. But this time last year, at the Destroyers’ Brum Christmas party, it struck me that the radio posts were now almost irrelevant. On the other hand, here I was, watching a band that people care about; much more interesting, and very different. And that's what put me on a new path. Thank you, Louis, Paul, and company. 

So this past year, I've focussed much more on music, and things have changed - a lot. Now it's the end of the year, so here's a two-part 2012 review, starting with how people have used this blog. I’ve learned a lot.

Mr Bailiff! Del Camino and 1EYE. 2 bands, one set of musos.

This post is about two bands with the same core personnel. They’re absolute killer musicians, by the way. On the one hand they operate as Del Camino, who bang out top notch Salsa; and on the other, they’re reggaemeisters 1EYE. And they’ve got an interesting take on where reggae is going. 

1EYE. Excellent moody attitude at the Custard Factory car park, guys

There are those who hold that Reggae is done and dusted. That it was all over and done with by the end of the 80s. But they’re quite wrong. Before we go any further, it’s worth pointing out that Reggae is now global. It's not just made in Jamaica. And Birmingham is, more than ever, a powerhouse for reggae, with a string of fine third and fourth generation bands flying the flag. 

For example, Xova, who are going from strength to strength. Or the fluid and infinite permutations of Robin Giorno’s Friendly Fire Band. Or brilliant ska groovers such as 360 and Tempting Rosie. And the fine work coming out of Elephant House. There are others too.

Now there’s a brand new video from 1EYE, after the jump, which is absolutely delicious… You owe it to yourself to watch.