Sunday, 3 November 2019

A Life in Music: Horace Panter

Horace Panter and music. Where do you stop?

I really can't remember first chatting with Horace Panter, but it might well have been in 1978, when the Specials played at Birmingham University. 

They were at that fantastic phase in a new band's career, when the band has gelled, strings of gigs have knocked them into shape, and the whole point of the exercise seems to be coming together in an exciting way. I asked them if they would do a session for the old BRMB Radio that night.

If not then, it would have been at the now long-gone Outlaw Studios, when the band squeezed six songs out of that three hour session for BRMB. I went on air with those songs the next day. That probably makes me the first DJ to have played the Specials on radio, by the way. Jerry Dammers left the session in a grump once his vocals were down, but Horace was the soul of patience and courtesy. And it's been that way ever since.

Talking music with Horace is completely engrossing and serious fun. It was really, really enjoyable. And, d'oh, I learned something about basslines for Time is Tight and Rescue Me. Marvellous for my age, me. We veered off my initial Lives In Music track, and wound up gossiping about all sorts of things, as you'll hear. You can get the podcast hereor go to your favourite podcast supplier to grab it. Or skip down to the bottom of this page to stream from this blog page. 

Music Links

Lives in Music 

The Lives in Music series celebrates people who have spent a lifetime in music. They may be famous; they may be people who have spent their lives working in the background for the love of it. They all have stories. Lives in Music is a Radio To Go production.

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The Podcast


Also published in Lives In Music  

1 - Ruby Turner 
2 -  
Steve Ajao
3 - 
The Men Who Make Mellotrons
4 - Mike Hatton 

6 - Jasper Carott   

7 - 
Sam Slater 
8 - John Patrick
9 - Gordon Giltrap

10 Jim Simpson

The theme music for this series is by Big Q Fish. 'Boksburg Jive Toon' was written by Brian Neil, and recorded at the Jam House, Birmingham, in 2017.


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